News The Studio of Antonio López presents the Virtual Tour of his solo exhibition in the Netherlands: The Studio of Antonio López is pleased to announce the digitisation and creation of a virtual tour of his latest solo exhibition, held in the Netherlands between 28 January and 2 June 2024 at the Drents Museum in Assen. This innovative virtual tour has been developed in cooperation with The Mad Pixel, a Madrid-based company specialising in virtual tours that has created numerous projects with museums in Spain and the rest of Europe. Thanks to this collaboration, visitors will be able to tour the exhibition in super-high resolution, allowing them not only to explore the space virtually but also to get close to the works of art to appreciate every detail with exceptional clarity. The technology used by The Mad Pixel allows for very powerful zooming, allowing the viewer to view the works with magnification and detail rarely accessible. In addition, the experience includes a welcome tour with an explanatory audio, in Spanish and English and with accessible subtitles, accompanied by a visual summary of the exhibition, offering a complete and enriching immersion from anywhere in the world. Don't miss the opportunity to explore this unique exhibition in its digital format here ! On the 26th of October, a round table discussion was dedicated to the figure of the sculptor Eduardo Chillida, under the title: 'Chillida, that beautiful and explainable madness. A deep look at reality'. It was hosted by the architect Enrique Andreo, with the painter and son of Chillida, Pedro Chillida, and the painter and sculptor Antonio López as speakers. In this talk, which took place as part of EncuentroMadrid 2024, they discussed the figure of Chillida, not only as an artist, but also in his personal dimension and his religiosity, and how this influenced him in the creation of his work. For more information, see the EcuentroMadrid website . To watch the talk, the video is available on the event's Youtube channel: here . Until November 24, 2024, the exhibition "The revolution of sculpture. From Dalí to Allen Jones" can be visited in the church of the Encarnación in Zamora, organized by the Fundación Obra Social de Castilla y León (FUNDOS) and the Diputación de Zamora and curated by María Toral. Through a selection of 39 pieces, you can trace the evolution of sculpture in the 20th and 21st centuries. They show the new techniques, materials and ways of creating that have emerged during that period. Among the international list of artists are works by Rodin, Julio González, Alexander Calder, Meret Oppenheim, Salvador Dalí, Pablo Gargallo, Man Ray, Antonio López, Baltasar Lobo or Allen Jones. More information on the Fundos website here . Between September 20, 2024 and January 12, 2025, the painting by Antonio López, Gran Vía, 1 de agosto, 7:30 a.m. , from the Pérez Simón Collection, will be on display. The work will be on display along with sixty-nine other works chosen from the collection of the Spanish-Mexican collector in an exhibition organized by the CentroCentro exhibition hall of the Madrid City Council. This exhibition is a preview of the collection, which will be on display in another cultural space of the city council in the future, the Serrería Belga . For more information about the exhibition, click here . On September 12, the collective exhibition "Infinita realidad" was inaugurated in the Pedro Torrecilla exhibition hall in Burgos, organized by the Círculo Burgos Foundation and Ibercaja Banco. This exhibition displays paintings, drawings and sculptures by several figurative artists who began working in the 1950s and 1960s in Spain. Among them are Antonio López and María Moreno, as well as Francisco López, Isabel Quintanilla, Amalia Avia, Carmen Laffón, Julio López, Esperanza Parada, José Hernández and Cristobal Toral. It can be visited until November 10. For more information, click here .

ANTONIO LOPEZ OFFICIAL WEB Property of Antonio López Studio This website and the images of the works of Antonio López and María Moreno included therein are owned by their respective authors. Reproduction, distribution, public communication, making available to the public, transformation or any other act of exploitation of this website and its images, as well as the inclusion of hyperlinks to the website, if they are not limited solely to access to its main page, are strictly forbidden. For the reproduction, distribution, public communication, making them available to the public or any other act of exploitation of the works of Antonio López or of María Moreno it is necessary to address previously to the Visual Entity of Management of Plastic Artists, VEGAP (www .vegap.es) to obtain the required license This website only collects data to analyze the use of our website by visitors. This website uses Google Analytics, a web analysis service provided by Google Inc., located in Delaware at 1600 Amphitheater Parkway, Mountain View (California), CA 94043, United States . The information generated by the cookie about your use of the website (including your IP address) will be directly transmitted and stored by Google on its servers in the United States. Google will use this information on our behalf for the purpose of knowing your use of the website, compiling reports on the activity and providing other services related to the activity of the web and the use of the Internet. Google may transmit such information to third parties when permitted by law, or when such third parties process the information on behalf of Google. Google will not associate your IP address with any other data held by Google. By using this website you consent to the processing of information by Google in the manner and for the purposes indicated above. By clicking "ACEPTO", you accept the use of these cookies, unless you decide to deactivate them. Please note that if you delete or disable our cookies you may experience interruptions or limitations in the functionality of certain areas of the website. I AGREE

Online access to some works of Antonio López located in different collections: In the Museum of Fine Arts, Boston In the Museo Nacional Centro de Arte Reina Sofía, Madrid In the MOMA, New York In the Fundació Sorigué, Lérida In The Baltimore Museum of Art, Maryland: Boy Remains from a meal In the Fundación Juan March, Palma In the Royal Collections of Spain's National Heritage, Madrid In ARTIUM, Álava In the Museo de Bellas Artes, Bilbao In the BBVA Collection, Madrid In the Iberdrola Collection, Bilbao In the Museo Provincial, Jaén In the Museo-Casa Ibáñez, Olula del Río, Almería In the Fundación Telefónica, Madrid At the Fogg Art Museum, Harvard University, Cambridge, Massachusetts In The Cleveland Museum of Art, Cleveland, Ohio In the Musée National d'Art Moderne, Centre Georges Pompidou, Paris In the Nagasaki Prefectural Museum of Art, Nagasaki ancla cero CONTACT estudioantoniolopez@gmail.com

See other sites related to Antonio López : To license or request images of his works, please visit: VEGAP Digital application about the work of Antonio López by TF editors : in TF website , available also on iTunes You can also see the works and information about the painter MARÍA MORENO, wife of Antonio, on her website clicking here CONTACT Email us at: estudioantoniolopez@gmail.com — Or use the form in this page ¡Tus datos se enviaron con éxito! Enviar Anchor 1

At this time, we have high demand for queries. Answers will take longer than usual. We will prioritize messages related to technical issues. CONTACT: Send us an email to: estudioantoniolopez@gmail.com FOREWARNING: This is not a personal email address for Mr. Antonio López, so it is not a direct communication channel with him, but rather for the studio team with priority for technical issues. Questions about workshops will not be answered (see the tab dedicated to the issue). Responses may be delayed. — For image requests and their licenses, please go to VEGAP Image Bank or contact Mrs. Eva Hernández: ehernandez@vegap.es To request certificates of authenticity , we need high-resolution images of the work, information on the state of the work, and its technical details as well as the complete updated data. Anchor 1

SELECTION OF INTERVIEWS AND A RTICLES ON RADIO: Gente despier ta, Radio Nacional de España, 20 October 2023 RAC1 , Versió RAC 1, 21 September 2023 Hour 25, Las entrevistas de Aimar, SER , November 4, 2021 Latest NEWS AND press interviews: La Tribuna de Ciudad Real , 22 January 2024 El Debate, 12 December 2023 La Vanguardia , 8 &10 December 2023 La Lectura, suplemento de El Mundo , 18 October 2023 La Razón , 22 September 2023 ABC de Córdoba, 19 May 2023 Fuera de Serie, supplement of Expansion , 9 January, 2023 El País, 20 November 2022 El cultural , supplement of El Español , 14 March, 2022 ABC , 9 March 2022 Interviews and reports on RTVE: RTVE a la carte, Antonio López VIDEOS & documentaries: Documentary produced by La Pedrera for his exhibition at this Cultural Institiution from 21 septiembre 2023-14 enero 2024 Painting in Sol square, Youtube Chanel of ABC Journal, August 202 3 *Access these resources by clicking on them. Anchor 1

Virtual tour of the exhibition Antonio López - Master of Spanish Realism Access the high-resolution virtual tour of Antonio López's solo exhibition at the Drents Museum, Assen, the Netherlands, from 28 January to 2 June 2024. This project by Estudio de Antonio López has been carried out in collaboration with The Mad Pixel, who are responsible for the virtual tour.

Exhibitions Information on exhibitions Inauguración MUREC, Almería 15 marzo 2024 Antonio López Master of Spanish Realism Drents Museum, 28 enero-2 junio 2024 Antonio López y los Maestros del Realismo Español. Shanghái 29 noviembre 2023-31 marzo 2024 Antonio López, La Pedrera 22 septiembre 2023-14 enero 2024 Pintura figurativa contemporánea china y española Centro de Arte Quan Shanshi, Hangzhou del 8-28 nov 2023 Antonio López. Arquitecturas en proceso Col. Arq. Sevilla, 2 octubre-17 noviembre 2023 Mímesis, Museo MEAM, Barcelona 21 abril-25 junio 2023 Antonio López en la Modelo, Liceu, Barcelona 23 marzo-10 abril 2023 Infancia. Antonio López 15-26 febrero, El Corte Inglés, Preciados, Madrid ARCO 2023

THE QUINCE TREE SUN The Quince Tree Sun was filmed during the fall of 1990 in the house of the couple of artists Antonio López and María Moreno. It was later to be considered the Film of the Nineties according to the survey made by the Cinematheque of Ontario between international film libraries and festivals. The idea of the film emerged while the director, Víctor Erice, accompanied the painter when he was working in three urban views, recording his working method and exploring the recreation of what the artist saw through the camera. Then when Antonio told Víctor that he was going to start painting a quince tree in his garden, the filmmaker recalled a dream that the painter had told him and conceived the film. Antonio would try to capture the sun of that season and its effects on the tree before its fruits would begin to fall off, while Víctor would follow this process that he would later join to the dream the artist had told him. The filming began on 29 September, 1990. The film itself is an artistic exercise that attempts to capture another: the one conducted by the painter in his struggle against the elements to truthfully represent what he sees and feels at the sight of that quince tree. Antonio’s struggle thus became the struggle of Víctor; the filmmaker was concurrently confronting the technical complexities while trying not to interfere in the process of painting, in order not to alter it. The painter facing a seemingly trivial motif, a tree, tried to capture reality through his eyes. As Antonio López himself explained to Víctor Erice: "If you have the will to see it, the whole universe is contained within a tree." (Statement of V. Erice in the Spanish TV Show Versión Española, TVE2, 16 November 1999). During the days López painted and drew it he "accompanied the tree;" not only facing it but being with it, while its transformation continued. The presence in this film of María Moreno, wife of Antonio, was not limited to the one she had before the cameras, since it was instrumental behind them, serving as executive producer and achieving the successful completion of the project, given the film obtained no subsidy. In 1992 the film won two awards at the Cannes Film Festival: The Jury’s and Critics’ Awards. It was officially released on January 20, 1993. In May 2017, on the occasion of the twenty-fifth anniversary of the appearance of the film at the Cannes Film Festival, the digitisation of the original to 4K DCP was presented in the "Cannes Classics" section. This process has been made by the Filmoteca de Catalunya under the supervision of the director of the film, Víctor Erice, who has also reviewed the montage. BHC Awards: Jury Prize, Cannes Film Festival, 1992 Critics Prize, Cannes Film Festival, 1992 Gold Hugo, Festival of Chicago, 1992 1st Prize, International Festival of Uruguay, 1993 Best Spanish Director, ADIRCE, 1993 Best Film of the Nineties, Cinematheque Ontario, 1999 Cannes Classics, Festival Cannes, 2017 ------------------------------------------------------------------------------------------------------ World rights of the film owned by CAMM CINCO S.L. estudioantoniolopez@gmail.com To find out about Mr. Víctor Erice's workshops , please go to the following website: https://www.rosebudtalleresdecine.com Anchor 1 links to articles about the film: Letra Global , 29 May 2019 La lamentable , 23 May 2017 Caimán. Cuadernos de cine , 18 May 2017 ABC , 3 May 2017 ABC , 9 April 2014 El confidencial , 9 April 2014 La Crítica, 13 October 2012 ABC , 24 January 2004 Film Quarterly, Spring 1993 ABC , 25 March 1993 El País , 20 January1993 ABC , 19 May 1992 El País, 12 May 1992 interviews and reports on RTVE : RTVE a la carta, Antonio López :

Works in progress. A Space for Dreams

OBRA ESCOGIDA Selection of works by Antonio López showing his career. These works are not for sale. CONTACT studioantoniolopez@gmail.com ancla cero Jarra y pan, 1949 pencil on paper pasted on board, 39,1 x 26,3 cm Niño con tirador, 1953 oil on canvas, 94,5 x 130 cm Mujeres mirando los aviones, 1953-54 oil on canvas, 147 x 114 cm Los novios, 1955 oil on canvas, 120 x 104 cm, Museo Nacional Centro de Arte Reina Sofía, Madrid. 50's Sinforoso y Josefa, 1955 oil on canvas, 62,5 x 88,5 cm Mujeres en diálogo, 1955-56 oil on canvas, 100 x 128 cm, Museo Provincial de Jaén. Mis padres, 1955-56 oil on canvas glued to board, 87,3 x 103,9 cm, Centre Pompidou, París. Mesa en la Nochebuena, 1957 oil on canvas, 75,5 x 98,5 cm 50s, travels and solo show Cuatro mujeres, 1957 charcoal on paper pasted on board, 100 x 200 cm, Niña muerta 1957 oil on canvas, 90 x 105 cm, Museum of Fine Arts, Boston En la cocina, 1958 oil on canvas, 110 x 140 cm Cabeza griega y vestido azul, 1958 (intervened 2011), oil on tablex, 74,2 x 97,5 cm La novia, 1959 oil on canvas, 85 x 100 cm Francisco Carretero y Antonio López Torres conversando, 1959, oil on board, 70 x 96 cm 50s, sculpture. Paseo del cementerio, 1959 oil on board, 49 x 65 cm Mujer en la playa, 1959 charcoal and pencil on paper glued to board, 103 x 184 cm, Museo Municipal de Bellas Artes, Valdepeñas. Mujer durmiendo, 1960-61 bronze, 121 x 20,5 cm x 12 cm, ed. de 9, Museo de Arte Contemporáneo de Caracas El Campo del Moro, 1960 oil on board, 122 x 244 cm 60's, reality Madrid, 1960 oil on board, 122 x 244 cm Calle de Santa Rita. Tomelloso, 1961 oil on board, 62 x 88,5 cm Busto de Mari, 1961-62, bronze with golden patina, 36,5 x 38 x 22,7 cm, 2/9, Col. Caja de Burgos Otoño en Tomelloso, 1961 oil on board, 61 x 98 cm. Membrillero, 1961 oil on board, 49,5 x 50 cm Mari en Embajadores, 1962 oil on board, 80 x 75 cm La fresquera, 1962 polychrome wood, 58,5 x 94 cm, Museum of Fine Arts, Boston Madrid desde el Cerro del Tío Pío, 1962-63, oil on board, 101,7 x 129,5 cm Mujer durmiendo, 1963 polychrome wood,121 x 205 x 12 cm, Museo Nacional Centro de Arte Reina Sofía, Madrid. Perro muerto, 1963 oil on board, 73 x 100 cm, Fundació Sorigué, Lérida. El manzano, 1963 oil on canvas, 89 x 116 cm Atocha, 1964, oil on board, 95 x 105 cm, Museum of Fine Arts, Boston La percha, 1964, polychrome wood and polyester, 147 x 126 x 28 cm, Museum of FIne Arts, Boston La aparición, 1964-65, polychrome wood, 54,5 x 80,2 x 13,6 cm, Museum of Modern Art, Nueva York (MoMA). Nevera de hielo, 1966 oil on board, 117 x 142 cm 60's, bathrooms Lavabo y espejo, 1967 oil on board, 98 x 83,5 cm, Museum of Fine Arts, Boston. Eva, 1967 pencil on paper,18 x 24 cm Mujer en la bañera, 1968 oil on board, 107 x 166 cm Ropa en remojo, 1968 oil on board, 80,5 x 74 cm 60's, gallery and exhibitions El jardín de atrás, 1969 oil on board, 86,5 x 100 cm Elena Cárdenas con su hijo, 1969 pencil on paper, 21 x 16 cm Interior del baño, 1969 pencil on paper glued to board, 49 x 34 cm Estudio con tres puertas, 1969-70 pencil on paper glued to board, 98 x 113 cm, Fundació Sorigué, Lérida. El mar, 1970 oil on canvas pasted on board, 73 x 100 cm. Mari en la clínica, 1970 pencil on paper, 46 x 63 cm La vitrina, 1970 pencil on paper, 50 x 42,5 cm Membrillero de Ciudad Florida, 1970 pencil on paper, 68 x 83,5 cm Madrid hacia el Observatorio,1965-70 oil on board, 122 x 244 cm Carmencita con abrigo negro, 1966-70 oil on board, 42 x 57 cm Centro de Restauración, 1969-70 pencil on paper glued to board, 84,7 x 100,5 cm 70s, windows. Ventana de noche, 1971-75-80 oil on board, 120 x 81 cm Cuarto de baño, 1970-73 pencil on paper glued to board, 244 x 122 cm, Fundació Sorigué, Lérida. Cuarto de baño, 1971 pencil on paper glued to board, 75,5 x 65,5 cm Mujer en la bañera, 1971 pencil on paper, 52 x 70 cm Restos de comida, 1971 pencil on paper, 42 x 54 cm, Baltimore Museum of Art, Maryland. Mari en la clínica comiendo, 1971 pencil on paper glued to board, 62 x 74,5 cm Emilio y Angelines, 1961-65-72 oil on board and pencil on paper, 107,8 x 98,6 cm El metro, 1970-72 oil on board, 97 x 122 cm Habitación en Tomelloso, 1971-72 pencil on paper glued to board, 81 x 69 cm Conejo desollado, 1972 oil on board, 53 x 60,5 cm La cicatriz, 1972 pencil on paper, 25 x 36,5 cm María, 1972 pencil on paper glued to board, 70,1 x 53,3 cm Casa de Antonio López Torres,1972-80 pencil on paper, 82 x 68 cm Cocina en Tomelloso, 1975-80 pencil on paper glued to board, 74 x 61 cm Vallecas, 1977-80 oil on canvas pasted on board, 105, x 130,5 cm 80s. Calle de la Feria, 1980 oil on canvas, 79,5 x 84,5 cm Calle de Tomelloso, 1980 pencil on cardboard, 51 x 73 cm Gran Vía, 1974-81 oil on board, 93,5 x 90,5 cm Ventana por la tarde, 1974-82 oil on board, 141 x 124 cm Madrid desde Torres Blancas, 1974-82 oil on board, 156,8 x 244,9 cm Rosas blancas, 1982 oil on canvas, 49,7 x 47 cm Rosa roja, 1982 oil on canvas, 63,4 x 68 cm Francisco 1, 1985 pencil on paper, 203 x 101 cm Manuel, 1985 pencil on Guarro Basik paper, 185 x 92 cm Madrid sur, 1965-1985, oil on board, 153 x 244 cm, Col. Masaveu Tomelloso, una calle de las afueras, 1986, pencil on paper, 51 x 57,5 cm Francisco Carretero,1961-87 oil on board, 93 x 78,8 cm Frutas y verduras, 1988 pencil on paper, 73 x 87 cm Membrillos, granadas y cabeza de conejo, 1988, pencil on cardboard, 73 x 87 cm Membrillero, 1989 pencil on paper, 41 x 51 cm Ciruelo, 1989 pencil on cardboard, 73 x 87 cm Rosas rosas, 1989 oin on canvas, 53 x 47 cm 90s Árbol de membrillo, 1990 pencil on paper, 104 x 120 cm Membrillero, 1992 oil on canvas, 105 x 119,5 cm Terraza de Lucio, 1961-92 oil on board, 172 x 207 cm. Lilas, 1992 watercolour on paper, 53 x 68 cm. El Campo del Moro, 1990-94 oil on canvas glued to board, 190 x 245 cm Nevera nueva, 1991-94 oil on canvas, 240 x 190 cm Hombre y Mujer, 1968-86-94 polychrome wood, H: 195 cm / M: 169 cm. Museo Centro de Arte Reina Sofía, Madrid. Calabazas, 1994-95 pencil on paper, 72,7 x 90,8 cm, Fundación ICO, Madrid. Afueras de Madrid desde el Cerro Almodóvar, 1991-96, oil on canvas, 180 x 180 cm Madrid desde Capitán Haya, 1987-96 oil on canvas pasted on board, 184 x 245 cm, Museo Nacional Centro de Arte Reina Sofía, Madrid. Rosas, 1996 oil on canvas, 54 x 51,1 cm. 2000s decade Retrato de sus Majestades los Reyes de España D. Juan Carlos y Doña Sofía, 1999-2001, bronze, 250 cm high. Co-authorship with Julio and Francisco López Hernández. Hombre, 2003 bronze, 193 x 63 x 37,5 cm Hombre, 2003 bronze, 193 x 63 x 37,5 cm Madrid desde la torre de bomberos de Vallecas, 1990-2006, oil on canvas, 250,5 x 406 cm, Montemadrid Foundation Collection on deposit at the Assembly of the Community of Madrid. Dibujo de escultura "Hombre andando" 2007, red pencil, graphite and collage on paper, 185 x 110,5 cm Rosas de Ávila, 2007 oil on canvas, 53 x 50 cm Rosas rojas, 2007 oil on paper, 21 x 29,5 cm Rosas, 2007 oil on canvas, 50 x 47 cm Rosas rosas, 2007 oil on canvas, 51 x 48 cm Rosas de Ávila II, 2008 oil on canvas, 53 x 50 cm El día y La noche, 2008 bronze, aprox. 300 cm and 320 cm high Rosas de Ávila III, 2009 oil on canvas, 53 x 50 cm Perfil y frente para escultura de "Hombre tumbado", 2009, pencil, blue marker and tracing paper on paper, 140,5 x 220,5 cm Rosas, 2010 oil on canvas, 53 x 50 cm Rosas, 2010 oil on canvas, 53 x 47 cm Recent years Violetas, 2011 oil on paper, 29,5 x 21 cm Diferentes movimientos para "Hombre andando". Fernando, 2009-2011, blue and red pencil, graphite, tracing paper and collage on paper, 220 x 110,5 cm Dibujos para "La mujer de Coslada" 2009, pencil and pen on paper, 143 x 97 cm (set of 7 drawings) Familia de Juan Carlos I, 1994-2014 oil on canvas, 300 x 339.5 cm, Col. National Heritage, Spain Gran Vía, 1 de agosto, 7:30 horas 2009-2015, oil on canvas, 126 x 130 cm Fatima, 2012-2015 polychrome wood, 67 x 53 x 25 cm Rosas de Ávila VII, 2013 oil on canvas, 54 x 51 cm Rosas de Ávila VIII, 2014 oil on canvas, 54 x 51 cm Rosas de Ávila IX, 2014 oil on canvas, 54 x 51 cm Rosas de Ávila X, 2014 oil on canvas, 53 x 50 cm Rosas de Ávila, XI, 2016, óleo sobre lienzo oil on canvas, 54 x 51 cm Marcial, Alfonso y María, 2014-15 pencil, oil and collage of vegetal paper on paper, 229 x 141 cm Adrián y Miriam, 2014-15 pencil, oil and collage of vegetal paper on paper, 234,3 x 200 cm China y Japón, Yannan y Tamio, 2014 pencil, oil and collage of vegetal paper on paper, 235 x 141 cm Mujer, 2017, bronze, 165,5 x 42,5 x 37 cm Mujer de Almanzora,2017 Macael marble, 800 cm high, Ibáñez Cosentino Art Foundation. City of Culture Square, Olula del Río, Almería Rosas, 2020-2021 oil on canvas, 53,5 x 50,5 cm Gran Vía in process, oil on canvas, 130 x 120 cm